Saturday, December 30, 2023

Compassion and Emptiness in Early Buddhist Meditation

Recently I've found myself doing more brahmavihara meditation in general, with a particular focus on self-compassion (often appearing as compassion for my parts).  On my last retreat, I was surprised to find that this seemed to open up the possibility of some of the immaterial jhanas.  It also seemed to lead to an increasing ... blankness ... of experience, as if all the knots that made up the world of phenomena were gradually coming untied.  All this was pretty vague however, so I decided to pick up another of Bikkhu Analayo's books, one which promised to somehow connect compassion and emptiness.

Unlike his book on the Satipatthana Sutta, this one is not intended for beginners.  Here, Analayo feels free to talk about things like the brahmaviharas and the jhanas without explaining them first.  The reader is presumed to be fairly well versed in these concepts at the outset.  Also presumed is an at least passing familiarity with early buddhist suttas, though since the book is structured as an in-depth examination of the instructions given in the Karajakaya, Culasunnata, and Mahasunnata suttas, Analayo provides an appendix with his own translations of these.  

The basic trajectory Analayo suggests is summed up well by the final chapter entitled Practical Instructions -- 1) use the radiative form of the brahmaviharas as a concentration object to 2) access some level of the first three immaterial jhanas, then 3) proceed from the perception of nothingness to let go of the idea that there is any subject perceiving any thing at all, and 4) finally incline the mind towards Nirvana.  While Analayo does not use the term, the penultimate step in this sequence, called the "signless concentration of mind", seems to be a form of nondual perception.  Sense data continues but is no longer assembled into objects; life continues, but no longer belongs to a subject, even a subject experiencing 'its' absence of self.  Analayo ultimately claims that even this nondual experience somehow falls short of the perfect liberation of Nirvana, though in the end its not clear to me what the difference would be beyond the conceptual category error that arises when we discuss the problem (Nirvana is not a state).  

Needless to say, this is the very short version, and the book contains a wealth of more subtle guidance.  Just to give an example, one point that will stick with me is the way the connection between compassion and emptiness actually comes about through the boundless and radiating aspect of the brahmaviharas.  This form of practice links the tangibility of something like compassion to the abstractions of the sphere of infinite space, consciousness and nothingness.  But I think Analayo suggests this approach not just because boundless radiation prepares one for the leap to boundless space and consciousness, but also because it grounds our deeper meditative experiences in a moral practice.  So perhaps what we're trying to create here is some sort of ethico-meditative feedback loop where our goodwill towards the world lets us experience deeper internal states, and these deeper internal states in turn allow us to continue extending the circumference of our goodwill.  And indeed, meditation does seem to work in just the way this model would imply -- it's not that bad feelings are permanently removed or avoided, but simply that, with practice, good states and good intentions become more numerous and more powerful.  The change does not come from some third party perspective outside the system, but from a snowballing cultivation that operates from within.  




Saturday, December 23, 2023

The Double

I've really enjoyed Pevear and Volokhonsky's new Dostoevsky translations.  And I've been thinking some about the strange feeling of echo that mindfulness or metacognition can produce.  So when I saw that the couple had also done The Double and The Gambler as a single collection, I decided to go for it.  As they mention in their introduction, The Double reads like a dress rehearsal for Notes from Underground.  Certainly, they treat the same theme of a hyper-self-consciousness torn between a dignified self defense and an abject self loathing.  As the title suggests, The Double personifies this inner tension as an outer relationship between a mid-level bureaucrat and his doppelgänger who comes to usurp his place at the same agency.  It's the sort of magical realism we associate with Kafka, and a direct descendant of Gogol's The Nose.  In other words, while it's an interesting story, it doesn't seem to me that Dostoevsky had really achieved his fully distinctive voice by the time he wrote it.  Though the night when our poor hero, trudging through a blizzard of disappointment, first encounters his double on the Ismailovsky bridge is a truly memorable scene that definitely foreshadows the amazingly dramatic moments of some of the later novels.

Friday, December 22, 2023

Farewell, My Lovely

This year's Noirpocalypse™ features the adaptation of another Chandler novel that was released (in the US) under the title of Murder, My Sweet.  While, I definitely enjoy Chandler's hard-boiled style with its colorful metaphors and rapid-fire dialogue, I'm beginning to think that he just got drunk and made up these plots during an epic late night bender.  Perhaps this one holds together slightly better than The Big Sleep or The Long Goodbye, but there's still nothing like the sense of neat progression and I-should-have-seen-it-coming closure of Hammett's style.  In this case, there are multiple not terribly well integrated subplots and details that are either designed as red herrings (whose redness is never addressed) or were simply left in place when the whole trajectory of the story changed.  As with the other cases, the film adaptations actually serve as an improved second draft of the idea, with more care given to integrating the various strands into a (mostly) intelligible whole.  Not that I'm complaining.  You read Chandler for the ambiance of bourbon and legs, not for the literary design.  And this one has bourbon enough to make you feel as large as Moose Malloy.

Wednesday, December 13, 2023

The Maltese Falcon

I've been so interested in film noir over the past few years that I've decided to investigate more of the novels that inspired the films. So far I've only read a couple of Chandler's classics, and one gem that JZ recommended (that was never adapted for film).  Now, however, I'm getting a little more serious.  The cat bookstore had a copy of that packaged together Daschiell Hammett's two most famous novels: The Maltese Falcon and The Thin Man.  While Hammett's prose is less crazily exuberant than Chandler's, his plot, at least in The Maltese Falcon, is much tighter.  He constructs the sort of story that you read in couple of nights because you can't wait to uncover the next and final twist that slots all the angles into correct perspective.  In contrast to the Chandler novels I've read so far, the package is in fact so neat and satisfying that they barely had to change anything to make the film.

While I can't say too much about the plot without spoiling the surprise, I will observe that I think Samuel Spade is much closer to the conventional hero than Philip Marlowe, which makes him a more suitable role model for a star like Bogart (and hence less suitable for portrayal by Jeff Bridges).  On the other hand, rarely has there been a more totally ambivalent femme fatal role than the one here given to Brigid O'Shaughnessy.  I'll make sure to pay special attention to how Mary Astor plays the part when I rewatch the film.  

Thursday, November 23, 2023

Science and Cooking

This wonderful survey of the physics of cooking was a Christmas gift (thanks nice sister!) that I've been slowly working my way through for a couple of years now.  The lento tempo, however, wasn't due to the difficulty of the text.  Sure, there's plenty of physics here, with plenty of charts and graphs, and even the odd equation.  But all of the concepts they discuss -- diffusion, pH, viscosity, protein folding and unfolding, emulsions, microbes, etc ... -- are very clearly explained and presume no prior knowledge.  They also do a great job of illustrating general principles through specific examples that you can try right in your kitchen; in fact, the book began as a Harvard class that included a lab work component.  Given the excellent overview here, it would now be a much easier endeavor to tackle Harold McGee's classic, to which the current authors are much indebted.  Maybe if I'd read that as well, I wouldn't have screwed up the complicated candy cooking stage of this Cook's Illustrated Banoffee Pie recipe!

Monday, November 20, 2023

A Trackless Path

I've listened to a few inspiring interviews with Ken McLeod on Michael Taft's Deconstructing Yourself podcast.  In one of them he mentioned this translation of and commentary on a poem written by the the 18th century Tibetan monk Jigmé Lingpa. The poem itself is a very condensed set of Dzogchen practice instructions, including descriptions of possible pitfalls and remedies.  Like most of these types of works it would be almost indecipherable without McLeod's commentary.  However, given the slipperiness and, well, I guess, emptiness of the Dzogchen approach, this commentary can only remain very light and suggestive.  Fortunately, this doesn't mean it has to be abstract.  On the contrary, McLeod writes in clear simple language about his direct experience with something that's ultimately ineffable.  As a result, there's not much point in attempting to summarize the thesis of a book like this.  The main theme is clearly rest.  Resting in awareness.  Looking and resting.  But the only way to read the text is to use it, to drop these seemingly vague instructions into a meditation and see what happens.  This is also the only method that befits McLeod's experimental conception of a path which ultimately dissolves, as the title suggests, into a wide open landscape.

Like an oak peg in hard ground
Stand firm in awareness that knows
And go deep into the mystery
 
#reread

Nabakov's Quartet

While I'm not sure exactly how it ended up on the shelf, I imagine this collection of four short stories was in the bargain bin at the local used bookstore.  While I adored Lolita and loved Pale Fire with a burning passion, these stories struck me as rather forgettable by comparison.  Interestingly, three of the four were originally written in Russian, and these earlier works have a completely different voice from the one I have come to associate with Nabokov in English.  However, it's a much less distinctive one, that could nearly be confused with Dostoevsky (in the case of the first two stories) or Kafka (in the case of the final one).  Only The Vane Sisters, written much later and requiring no translation, speaks with the author's characteristic parodic erudition.  Though none of the stories especially struck me, they did make for a nice plane ride to Tuscon.

Galápagos

I guess you would expect Kurt Vonnegut's novel about the end of the world to be wry, funny, and above all anti-climactic.  So it's no surprise when it turns out that, from the perspective of a million years into the future, "humanity" didn't end at all.  As a species, we simply thought better of possessing these big brains that have caused us no end of trouble, and which, to top it off, have mostly not composed Beethoven's Ninth.  Just like the other Vonnegut novels I've read, this one makes you wonder how we manage to collectively sleepwalk our way through the absurdity of life without appreciating the full joy and sorrow of the cosmic satyr play staged at our expense.  Which makes me think it should be required reading in every high school, despite the fact that it appears some of us just can't take a joke.  

When confronted with the question of how the desire to improve the world fits with the notion of time presented in Slaughterhouse-Five, Vonnegut responded "you understand, of course, that everything I say is horseshit."

Friday, October 27, 2023

How to Change Your Mind

Unfortunately, I can't say that Michael Pollan's attempt to capture the new psychedelic zeitgeist changed mine.  Perhaps this is simply because it is aimed at readers who, like Pollan, start off pyschedelically and philosophically naive.  I didn't need anyone to convince me that it might be interesting to alter my consciousness, nor that it can be done fairly safely with drugs, nor even that such experiences could have a profound and lasting effect on my worldview.  For the already intrepid psychonaut, the book exhibits mainly the endearing, amusing, but also kinda boring, breathlessness with which one (faintly) recalls early experiments.  So yeah dude, this could be a-a-a-a lot more, uh, uh, uh, uh, uh, uh, complex, I mean, it's not just, it might not be just such a simple... uh, you know? 

I agree completely. I sympathize with the mind-blowingness of It. All.  I understand how hard it is to convey the ineffability of the experience without ending up in vague platitudes about how all is one (too late).  I'm also frustrated by the fact that Pollan spent 400 pages chronically and neurotically doubting the reality of his own experience.  While I am, again, no stranger to this type of doubting, there's also a pretty obvious spiritual and philosophical retort for it.  All experience is real.  You may experience unreal objects, but the experience itself cannot be unreal.  Perhaps this is more tautology than theory.  Nevertheless, keeping it in mind is inoculation against the dismissive scientific rationalism that aims to separate us from our experience.  

For me, the most interesting part of the book was his history of early psychedelic research.  While it seemed neither insightful nor particularly well told, it nonetheless brought some new shit to light.  It would have made a great magazine article.  

Friday, October 6, 2023

Our Mutual Friend

Since I knew nothing of Dickens beyond A Christmas Carol, I chose my first novel in the old fashioned way -- I read the footnotes.  Specifically, I read footnote 4 of Deleuze's final essay, where he refers to a single chapter in this enormous novel (the one where Rogue Riderhood nearly dies).  The novel contains several great scenes, and this is one of them.  The full list would include the foggy night on the Thames that it opens with, our hilarious initial encounter with the Veneerings, and a couple of the climactic scenes that can't be described for fear of spoiling the surprise for the many loyal readers who will undoubtedly be inspired to plough through all 900 some odd pages of this monster once they read this review.  

Because it was really pretty entertaining.  Yes, admittedly, it is way too long for modern tastes.  Many scenes that seem designed to be read aloud for purely comic effect could be significantly shorter.  But when you consider that the novel was published in installments over the course of 20 months, these diversions make a lot more sense.  And yes, modern taste may also find the ending overly moralistic.  I don't know what it was like in 1865, but these days it strains credulity -- even in fiction -- to see every bad guy either fully reformed or perfectly punished according to his just desserts.  But the story is crafty, the characters exceedingly well drawn and relatable, and the writing shockingly experimental for so popular an author.  Though, if I ever do read another Dickens novel, I'll make sure to do it as the author intended and only cover 50 pages a month.

Thursday, October 5, 2023

Radical Acceptance

Someone must have recommended Tara Brach's first book a long time ago, because it had been sitting in my to read list for quite a while.  In the meantime, I've read a couple of other books that belong in the same "IMS dharma" genre as this one.  They're all an easy-reading combination of modern takes on core Buddhist principles, lightened with a mix of personal anecdote and case stories drawn from the author's teaching experience.  While I've enjoyed them all, I found Brach's book the most affecting of the ones I've read.  

She frames the goal of practice as awakening from a "trance of unworthiness", a deep and often subconscious feeling that it is somehow simply not okay to be the way we are.  The idea that nothing is a problem, that everything is okay being the way it is, might sound like a simplistic reiteration of the vapid teachings of Dr. Pangloss.  Once we move beyond the facile misinterpretations to which this idea is prone though, we see that it's not a question of trying (futilely) to avoid acting or changing anything, but a question of becoming intimate with our experience, becoming capable of seeing all of it, excluding none of it.  In other words, the opposite of radical acceptance isn't activity but simply ignorance -- we ignore our experience.  Accordingly, Brach structures her book as a progressive investigation of the things we usually like to ignore.  Our feeling of unworthiness, our body, our desire, our fear -- these are all experiences we thirst to make disappear as quickly as possible because we see them as problems to be solved and states to be avoided.  We just want to make them stop.  If, instead of struggling to alter these feelings, we pause to embrace them, however counterintuitive this may sound, we can gradually find that these states begin to lose some of their reactive power over us.  They may even stop on their own.  Or they may not.  The goal really isn't to control of optimize our experience, but to experience it.  Thus, Brach builds towards the Dzogchen idea that all experience is part of the one thing that can't ignore -- awareness. 

P.S. I cried when her dog died.

Wednesday, September 13, 2023

G.W. Leibniz -- Philosophical Essays

I've had this one sitting on the shelf for quite a while.  As with so many things, my interest in Leibniz began with Deleuze.  Since I've long planned to read his whole book on Leibniz, I wanted first to familiarize myself with the original material.  This turns out to be a bit tricky in the case of Leibniz because he never prepared a single authoritative publication of his philosophical views.  Instead, his ideas are scattered throughout various essays, letters, and notes, and there are several different collections of these available in English.  In this volume, Ariew and Garber attempt to select and arrange pieces in roughly chronological order so as to provide an overall idea of Leibniz's thought and development.  Reading through more of this material put my earlier encounter with The Monadology in a new context.  Despite being written fairly late in Leibniz's life, The Monadology is not a deductive treatise comparable to Spinoza's Ethics, nor even a summary of the author's mature philosophical view.  It's closer to a series of notes to himself by which Leibniz clarifies and orders one particular thread of his thinking (albeit a very important one, and certainly the one he became best known for).  Since even Leibniz didn't manage to effectively summarize his own philosophy, I'm not expecting to do that here either.  So I'll just write down a couple of things I found interesting.

His most interesting idea was clearly the monad, with the irreducible unity of its windowless interior eternally separated from an exterior matter that is continuously divisible to infinity.  That is, for Leibniz, there are no material atoms, only spiritual ones.  But it's also interesting to understand why Leibniz felt the need to invent the monad.  The problem he faced was the passivity of pure matter, which in those days people saw as reducible to the combination of impenetrability and extension, neatly illustrated by the Cartesian model of a billiard ball world.  In this world, the only consideration appeared to be the conservation of momentum, which is a simple linear product of the purely "geometric" concepts of mass (impenetrability) and velocity (change in extension).  Leibniz could literally "prove" that this view was incomplete by constructing examples -- like a ball falling from a height to collide with another -- that showed there was something more than momentum involved in the dynamics of physical bodies, and that if you wanted to calculate what would happen, you would have to raise extension to a power.  For him, this "more" or "power" indicated the activity of the monad.  For us, it's just the conservation of energy -- the potential energy of a ball is proportional to the square of the height from which you drop it.  Naturally, this argument isn't the only reason that Leibniz believes in the monad, but he does consider it one of his stronger arguments for its existence, judging by how often he returned to the example.

Another intriguing theme that runs through his philosophy is what he calls "the labyrinth of the continuum".  The problem of the continuity of the real number line, along with the closely associated problem of the levels of infinity, really becomes urgent with the invention of the calculus.  Leibniz is adamant that our customary way of envisioning the real number line is inadequate.  It cannot be composed of an infinite set of points, which are just abstractions, but has to be thought of as the product of some sort of real process.   This process is part of what Deleuze will take up in The Fold.

Tuesday, September 12, 2023

Analogia

This will be the last George Dyson book I will ever read.  While Turing's Cathedral was modestly interesting, Analogia: The Emergence of Technology Beyond Programmable Code, has more of the defects and fewer of the virtues that I noted nine years ago in my review of the former book.  The histories Dyson relates -- of the Russian colonization of the Aleutians, of the last stand of the Apaches, of the invention of the atomic bomb, the biography of Samuel Butler -- are certainly not without interest.  But his digressive, scattershot, yet somehow still overly detailed writing turns them all into a slog.  And then on the philosophical or conceptual side it's just a jumble of half-baked concepts stirred together with a dash of futurism.  I think Dyson imagines that he's describing the emergence of a new species of organism called the "analog computer".  Somehow this new type of computer will make no distinction between program and data in the way we associate with the Von Neumann architecture that powers the modern digital computer.  As far as I can tell this is the entire explanation for the subtitle.  Further, it seems this new monster aims to replace humans at the cutting edge of evolution, rendering us little better off than the Apaches.  Or at least, so I infer from tiny thread of connection one might see glimmering between Dyson's almost unrelated stories.  

George Dyson is interested in a lot of interesting stuff.  But he's not a clear thinker, nor is he a clear writer.  Fool me once ...

Sunday, August 27, 2023

The Recognition Sutras

I heard about Cristopher Wallis' resurrection and translation of Kashmiri Shaivism way back in Michael Taft's VSM 1 class.  Wallis is not merely a translator, but also a practitioner of this non-dual Hindu tradition that was nearly lost in the 700 years between the Muslim conquest and Partition.  Accordingly, his goal is not merely to make this historic text accessible, but to actually make it come alive as a philosophy and a practice manual.  Since Wallis is also a Sanskrit scholar who has written extensively about the Tantrik tradition that the Recognition school is a part of, it seems he's almost uniquely qualified for the job.  Which is a lucky break for us, because, no matter how clear the translation, the original text would remain almost totally obscure if it weren't for his extensive, line-by-line commentary on it.  

While I haven't precisely tried any of the practices in this book, many of them appear to be closely related to various Buddhist techniques.  For example, he discusses something like a non-conceptual shikantaza, a breathing exercise that sounds very similar to Goenka's fast body scanning, and a practice akin to Shinzen's "gone" that looks for the emptiness from which various phenomena arise and cease.  Since it's difficult to learn techniques just from a book, I'm likely to stick with the versions of these I already know.  As a result, for me, the book is more valuable for its philosophical stance than as a practice manual.  Wallis progressively describes a version of monism that comes incredibly close to Spinoza.  All phenomena are seen as simply modes in the unfolding of the non-dual God/Goddess Awareness (Shiva/Shakti).  There is, however, one crucial twist that brings it closer to Deleuze's reading of Nietzsche's crowning contribution to the univocity of Being.  The heart of the Recognition school is the idea that you are this very awareness; you are God; you are Awareness itself, the groundless ground of Being.  From a logical perspective, this suffers from all the usual recursive difficulties.  But from a mystical perspective, it makes for an inspiring and bottomless vision of the world in a grain of scan.  

Tuesday, July 11, 2023

Nature's Metropolis

Upon discovering my interest in Barudel, Picketty, Fischer, Graeber, etc … more than one professional historian has suggested I read William Cronon's classic history of Chicago.  While they may have Piled it higher and Deeper, these folks were not full of shit.  The book is a fascinating, accessible, and yet rigorous history of Chicago from roughly 1840 to 1900.  During this period, the city functioned as a gateway connecting the rural "Great West", as it was then called -- basically what we would now call the northern midwest area that stretches from the great lakes to the Rockies — to the urbanized Eastern seaboard of the country.  By the end of the 19th century, Chicago's role in matching the easterly flow of commodities like meat and grain with the westerly flow of manufactured good and capital turned it into America's second largest city.  Cronon's deepest thesis is that, because the city was a crucial crossroads during this unique period of expansion, the interdependent duality of city and country that emerged here shaped many of our later attitudes about urbanization, corporatization, and mechanization.  The specific history of Chicago is part of what lent these processes the moral ambivalence they still carry in American life.

But of course there's much more to his history than this high level observation.  Cronon begins by tracing the seeming inevitability or 'naturalness' of Chicago's position back to what was actually a fortuitous combination of circumstances.  Originally promoted as a unique waterway linkage between the upper Mississippi valley and Lake Michigan (via the Illinois river and the Illinois and Michigan canal) most of city's growth was in fact due to the way it became the Eastern terminus of a rail network that gradually stretched further and further West.  That is, from the beginning, its unique 'natural' advantages were relevant more as a pretext for the construction of what Cronon terms a "second nature" — the human infrastructure that gradually came to replace the original natural landscape so thoroughly that we take it with the same inevitability.  Obviously, the notion of an 'original nature' is philosophically suspect.  But by identifying a 'second' version, Cronon just aims to mark how the rails replaced the rivers as transportation conduits, the wheat replaced the prairie grass as the dominant flora, the domesticated cow and pig replaced the bison as ruminant  herd animal, and the settlers 'naturally' replaced the Potawatomi.  

Accordingly, he devotes chapters to the intersecting ecological and economic histories that created this new nature.  We learn about the rise of the railroads that would eventually fan out from Chicago.  We learn about the changing grain trade that would give rise to the futures markets that exist to this day at the Chicago Board of Trade.  We learn about the forces behind the growth of Chicago's famous meatpacking industry and the way its less famous lumber industry eventually cut down every tree along every Lake Michigan bound stream in Wisconsin.  Each of Cronon's stories is a fascinating and well documented business history by itself, but together they really convey the way the development of this central city reconfigured the entire ecology of the hinter-landscape surrounding it, turning it into a resource 'destined' for market exploitation.

Finally, there are also two very interesting chapters on Chicago's relation to the East, and particularly to New York.  The city's growth depended not simply on its Western hinterland, but on the enormous Eastern capital invested in turning it into a transfer and processing point for commodities as they flowed towards the East.  This position halfway between Western commodities and Eastern manufacturing markets also made Chicago the perfect distribution point as finished manufactured products moved back towards the West.  The railroads, grain elevators, and giant ice-cooled meatpacking plants could not have developed without New York capital. Likewise, business model innovations like Montgomery Wards' or Sears' mail order catalogs could only have grown out of this environment.

It's truly a terrific history that I would recommend to anyone interested in the era, and mandate for anyone suffering from either of our great 21st century maladies: frontier nostalgiaitis, and eco-apocalyptic derangement syndrome.  Thanks to CV and Dr. Mei for the recommendation!

Sunday, July 9, 2023

The Idiot

I found The Idiot to be a more puzzling and less engaging novel than The Brothers Karamazov.  Since so much of it is taken up with dialogue detailing the various intrigues by which each character defines themselves in relation to the titular Prince Myshkin that it can sometimes appear to border on the soap operatic.  The main action of the plot is confined to hardly more than two scenes. The rest of the book is a fairly elaborate set-up for the incredible scenes with Rogozhin.  Still, there's something moving about Dostoevsky's depiction of what seems to be a completely and genuinely good man.  Yes, he's like a child that wanders into the middle of a movie and wants to know ... why everyone is so unhappy.  But isn't that exactly the question we all keep forgetting to ask ourselves?  That's the puzzle of the idiot -- his goodness seems to consist in nothing more than compassionately mirroring back to us the best aspect of our intentions.  While this may sound like (and from the Prince's perspective actually is) a philosophy of affirmation, its effect on others is mostly to make them aware of their pettiness without providing them the means to overcome it.  Why are we wrapping ourselves in knots, scheming and intriguing against one another and even against ourselves, when at bottom we all desire the same peace and joy?  Dostoevsky clearly conceives of this as a Christian question, and its certain that the Prince is a Christ figure.  Less obviously, he also seems to conceive this question as somehow related to a contrast of foreign (ie. European) reason and Russian passion.  Is our reason too hollow?  Is our passion too overwhelming or too depraved?  I think to understand Doestoevsky better on this point I would need to be more familiar with the intellectual and political climate of his day.  And one of these days, I'm going to let Joseph Frank explain it to me.

Thursday, June 29, 2023

American Born Chinese

After I read the NYT article discussing a screen adaptation of a Gene Luen Yang's classic graphic novel, I thought I'd investigate the problem of bringing his drawings to life.  Sure enough, as the article mentions, it's pretty hard to imagine how anyone could play the novel's offensively "fresh off the boat" Chinese character Chin-Kee in 2023.  Nor is it easy to envision how to deal with the fantastic plot thread of the kung-fu fighting Monkey King.  I guess we'll have to wait for the show to see how it panned out.  Of course, both these elements fit seamlessly alongside the more realistic portrayal of Jin Wang in the context of a graphic novel.  These three main threads come together in an unexpected climax that makes for a thoughtful and heartwarming reflection on coming to terms with an outsider identity.

Tuesday, June 13, 2023

Of Grammatology Part 1

So, my hand forced by the previous postscript, I read some Derrida.  This post covers only the introduction and Part 1 of his magnum opus ... because I don't plan on reading Part 2.  While there are certainly some interesting ideas and suggestive passages to be found here, it turns out the Tasic's reconstruction of what Derrida might mean was significantly more interesting than Derrida himself.  Frankly, as a magnum opera go, this one is pretty embarrassing.  Derrida is quite simply a terrible writer.  He produces a constant stream of run on sentences, fragments, and ambiguous grammatical references, all stitched together by rat's nest of parentheses, semicolons and dashes.  In addition, both the whole book, and the individual pieces that comprise Part 1, are poorly organized mashups of loosely related thoughts that originally appeared as separate articles.  It's like watching him throw spaghetti at a wall to see what sticks.  I found his basic idea intelligible only because I am already familiar with several superior versions of it.  So I sympathize with most folks who just consider this word salad.  Of course, all of these critiques can be written off by Derrida and his admirers as the mere kvetching of us reactionary simpletons who have yet to break free of the demand a logocentric metaphysics-of-presence makes for authoritative and linear writing -- a writing that might mean something, that might speak with the voice of the author, that might proceed without simultaneously crossing itself out, putting itself "sous rature", like a man who first paints himself into a corner and then (his graphomania unsatisfiable) goes on to paint right over himself.  

Kvetching aside though, I might as well get what I came for and try to relate the interesting bits to Tasic, Deleuze, and this idea of the 'structure of emptiness' that I've been pursuing.  It's actually possible to state Derrida's main idea in a straightforward fashion.  Normally, we assume that writing is to speaking as speaking is to thinking.  That is, first we think the thought in some sort of interior subjective space, which we are aware of as a sort of pre-linguistic voice in our head.  Then we articulate that thought by speaking aloud, using the sound of language to communicate it.  And finally, much later, we might make some marks on paper or screen that represent the spoken sound.  This allows someone else to come along and 'breath life' into those marks again once we're long gone, and hear our thoughts as if we were right there speaking to them.  Our traditional understanding of this chain of events imagines that nothing essential is lost in this process of double translation.  The assumption is that if we use our language carefully we can perfectly represent the original pure idea that we had in our heads in spoken language, and that, since written language in turn perfectly represents the spoken language, we are able to transfer this idea intact to the mind of another at whatever remove of space or time.  In short, we assume that the signs we use in language are representational.  Derrida's idea is that this is simply not true, that language isn't representational, and that the double analogy between speech and phonetic writing leads us astray.  In fact, Derrida takes this observation a step further and suggests that it is precisely this mistaken analogy that gets us into trouble to begin with.  Our common sense understanding of the way phonetic (alphabetic) writing relates to spoken language works as the ur-analogy for our very concept of representation.  We assume that writing makes a past object (the speaking voice) present again in symbolic form.  To accurately and truthfully bring something that's not 'really' here into the present by means of some fixed sign is what representation means to us.  Our underlying assumption is that to be real is to be present, and that to truly know the real is to re-present it in some transparent fashion.  The 'naturalness' of phonetic writing's re-presentation, the way it seems to almost magically restore a lost origin, encourages us to forget about the whole complicated process that we summarize with the word "representation" and all the assumptions that go into it.  As a result, we tend to take for granted both the essential reality (meaning) of the origin, as well as our ability to faithfully restore (communicate) it through signs.  By contrast, Derrida wants to show us that this origin is a kind of myth, a thing that can never be restored because it was not there to begin with.  And that therefore our signs don't refer to it as the signified but only to other signs, which refer to yet other signs ... ad infinitum.  

I believe that brief summary does justice to Derrida's core idea.  We could certainly flesh it out by relating it to predecessors such as Nietzsche's notion that there are no facts, only interpretations, or Heidegger's idea that Being essentially withdrawals, or Freud's observation that repressed content returns in distorted form.  This is what the translator's long and somewhat wanky preface attempts to do.  Instead, I've chosen to state the idea as a critique of representational thinking because that's one of the main themes of Difference & Repetition.  Deleuze's nearly contemporary account of the same basic post-structuralist idea is so much more carefully constructed and thorough that it's a puzzle to me how Derrida could ever have become the poster child of postmodernity.  The problem with representational thinking is that it is always tries to replace a series of differences with a repetition of identity.  Instead, Delueze invites us to think of difference in-itself, prior to identity, and then to think of repetition for-itself, not as the repetition of some particular identity, but as the always ongoing process by which difference produces more difference, or differentiates itself.  Derrida's deconstruction of writing provides another analogy for this structure.  With writing, the original identity of the idea or meaning or object is missing.  The author-itative voice is gone.  What we get instead are patterns of differences -- marks on paper that refer to phonic marks that refer to experiential marks that refer to ... Each of these systems of marks is constituted by differences between the marks it uses (letter, phonemes, and as we'll see, time).  And the way differences propagate from one system to the next is what allows them to be coupled in the structure we usually call "representation".  Derrida spends most of his time discussing the impossibility of an original identity while simultaneously bemoaning our inability to escape from the craving for this "transcendental signifier" that would ground the whole chain of differences of differences.  Deleuze simply gets on with showing how this concept of identity came to be produced.  Derrida is right that the chain of differences doesn't begin with an identity, but since he inherits Heidegger's nostalgic obsession with questions of origin, he doesn't seem to clearly see that something like identity can be produced at the end of the chain, as a limit, a simulacrum.  Of course, this identity isn't the final end of the chain, or some transcendental telos, but a coupling or resonance that kicks off a new round of differentiation.  

I'm sure others have written more and more eloquently on the similarities and contrasts between Deleuze and Derrida.  But I think I've read enough to get a sense of whether Derrida is, for me, worth pursuing further.  Deconstruction seems to me a last ditch effort to resurrect the Hegelian dialectic.  Only this time, the alpha and omega of the scheme are the absence, rather than the presence, of absolute Spirit. 

Tuesday, May 30, 2023

Mathematics and the Roots of Postmodern Thought

I have no recollection of how I came across Vladimir Tasic's mathematical reconstruction of the basic ideas of postmodern philosophy, but Amazon tells me that it has been sitting on my shelf for nearly a decade, so this aporia is hardly surprising.  I finally read it just now because it seemed as if it might fit in well with some of the ideas in The Gift.  There is something in the structure of the gift economy, with its continual circulation producing a sort of de-centered proliferation, that I thought might have various mathematical analogies.  And since I've been encountering this structure all over the place, I figured having a very abstract mathematical version of it might sharpen my understanding of it.  While this book wasn't quite what I was expecting overall, it actually did advance my understanding by providing a quite unexpected new name for this structure -- the continuum.  

Tasic wrote his monograph in the shadow of the Sokal hoax and as an indirect response to the dismissive reading of postmodernism found in Fashionable Nonsense.  Though a mathematician by profession, he wisely chooses not to take a side in the "science wars", and instead simply attempts to read postmodernism more generously.  Could it be that postmodernists had something to say that actually benefitted from the mathematical analogies they occasionally invoked?  Are there at least parallels and perhaps even direct links between their questions and some of the debates that took place within twentieth-century mathematics?  Though Tasic is frequently critical of the intelligibility certain 'postmodern' authors, he tries to trace the intellectual history of these ideas in a good faith effort to affirmatively answer both these questions.  To sum up a long story: the roots of Derrida's concept of différance (for Tasic the postmodern concept par excelence) can be found in a peculiar marriage between the ideas of mathematical 'intuitionists' such as Brouwer and Poincaré and 'formalists' like Hilbert.  Derrida describes a sort of intuitionism without any intuitive subject at its center, where the free creativity and understanding formerly attributed to this (mathematical) subject have somehow become an effect of the proliferation of a network of formal signs that continually overflows itself.

Since Tasic covers a lot of philosophical ground in an interesting but frequently superficial manner, I won't try to repeat the entire train of thought that leads to this point.  While his writing is fairly clear and concise, he suffers from a tendency towards tangent that constantly threatens to engulf his main argument in lengthy (though usually quite interesting) asides.  In addition, he begins his intellectual history of postmodernism all the way back with the 18th century Romantic reaction to Kant.  So instead, let me just quote his own summary of the first third of the book.

... it appears that romanticist thinkers managed to place two important issues relatively high on science's agenda: first, language; second, the problem of continuity—that ineffable inner flux, the sense of continuous creative action—and its relationship with language (31)

These themes of language and continuity are then developed in more detail throughout the book.  The mathematical version of this 'linguistic turn' becomes Hilbert's formalism, which suggested the only thing we really know is structured strings of signs.  The problem of the continuity of experience of a pre-linguistic subject becomes intuitionism -- the belief that mathematical truth and meaning necessarily go beyond mere signs.  

When he finally starts discussing mathematics, Tasic's first stop is the intuitionist mathematics of Brouwer, which he considers heir to the romantic preoccupation with subjective continuity.  As a constructivist, Brouwer was not satisfied with our usual definition of the continuum as an infinite collection of points because that is not something that a finite being can know by construction.  Typically, we see the real line as composed of infinitely many little unrelated atoms called 'numbers' that are strung infinitely closely together.  Instead of treating it as a collection of objects, Brouwer proposes to define the continuum by reference to the subjective process of constructing those points.  Tasic doesn't explain the mathematics of Brouwer's "choice-sequences" in detail, but the basic idea is roughly that the continuum is better grasped as analogous to our subjective experience of time.  For Brouwer, time is a "falling apart" of present and past that occurs with every free act or "life-moment" of the individual.  The continuum, in turn, is constructed from the realization that these various acts are never completely finished but could be continued indefinitely, with each new imagined act inserted between the pervious two.  Since each of the acts also includes some spontaneous free choice, these constructions resist formalization in language.  Thus the continuum is essentially unknowable for Brouwer; it is The Open, the subjective depths of the romantic soul.  

Summing up the effects of Brouwer's construction:
  • For me, the "point" of the continuum is the active process of my consciousness taken together with the spontaneous choices I could make along the way.
  • I can never permanently fix this "point," precisely because the construction of the sequence involves making free choices. The "point" of the continuum is not a standard mathematical object. It is not immutable.  It is an open object, a construction with indeterminate future.
  • The continuum cannot be split apart. I cannot pluck a single point out of it, a point I could call "now," because this point is an open object that depends on me. It does not wait for me to discover it, because I create it, freely, spontaneously, along with the plurality of all other "points." (40)

Tasic goes on to cover other intuitionists like Weyl and Poincaré, but the point remains similar.  The continuum is something that cannot be captured once and for all in language.  Any definition that treats an indefinite process as if it were a completely determined and finished object (an impredicative definition) will inevitably get us into trouble.  Tasic compares this intuitionist continuum to Derrida's idea of différance, to the future orientedness of Heidegger's dasien, to Nietzsche's creative will, and to Wittgenstein's idea that there cannot be a private language (though there can be both language and privacy).  It's frankly a bit of a tenuous connection at this point in the text, though it becomes clearer when he returns to discuss Derrida and Wittgenstein in greater depth.  And of course Tasic has yet to deal with a key point in this comparison.  Brouwer's intuition differs from all these other concepts for the simple reason that it is specifically the intuition of a human subject, whereas none of these thinkers would consider themselves humanists.  

Next, Tasic considers Brouwer's opponent in this mathematical debate: Hilbert's formalism.  In an attempt to make math more rigorous and exorcize (almost) all subjective and intuitive elements, Hilbert tried to reduce mathematics to the mere manipulation of meaningless formal symbols.  Even though this mathematical effort shipwrecked on the reef of Godel's theorem, there's little doubt that Hilbert's ideas are the more influential -- the computer has literally become the model for what we even mean by intelligence.  Tasic, however, wants to illustrate the influence of formalist ideas on postmodern theory.  In both cases, we see a shrinking (and at the limit a disappearance) of the subject.  

Tasic sees two principle lines of direct connection.  First, he traces a link from Hilbert to Foucault's idea of a "discourse" that literally produces knowledge.  He claims this influence passes by way of Jean Cavailles a French philosopher of science I hadn't heard of before.  The basic idea here is that the subject required in intuitionism is a mere "grammatical dummy" that is the product of particular operations of some formal system.  In other words, the system itself produces the appearance on meaning and subjectivity.  While this connection makes sense in general -- Foucault is clearly trying to suggest that there is no single timeless definition of 'knowledge' that human subjects are gradually amassing -- I wonder whether he misreads Foucault somewhat when he reduces his contingent and historical discursive systems to a computational language.   

Second, he discusses the clear analogy between formalism and structuralism.  Saussure's idea that language is a system of arbitrary signs that can only carry meaning by being systematically different from one another (and not because their identity corresponds to some signified) clearly overlaps substantially with Hilbert's attempt to argue that mathematical truth lies entirely within formal symbolic demonstration (and not in our apprehension of the ideal properties of things like circles).  Tasic further argues that in both Hilbert and Saussure's views, the differentiated structure in question in necessary but not sufficient to carry truth and meaning -- both men originally still thought that there must be some subject who is, at a minimum, capable of distinguishing the signs as units and of verifying that the computational system is running the correct algorithm.  He contends that it is only later, when these ideas are radicalized by people like Cavailles, that we see claims that meaning is reducible to structure, or that a structured sign system is sufficient to produce what we call meaning all by itself.  These later claims (which he refers to as functionalism) continue in the same anti-humanist direction one can already detect in structuralism or formalism.  But they take it one step further, towards an all encompassing structure that leaves nothing out, especially not the purported subject for whom this structure was originally intended as just a means of expression or tool for justification.  So the first connection he discussed is actually an extension of this second one.

Third, he sharpens the idea of a split between a still humanist structuralism and an anti-humanist functionalism by devoting a chapter to the way this ambiguity shows up within Wittgenstein's conception of a language game.  On the one hand, Tasic discusses an interesting example that makes it sound like Wittgenstein is rejecting formalism.  Consider the question of the correct way to extend the sequence 2, 4, 6 ... We would all answer 8, but in fact there are endless rules for constructing sequences that would correctly provide a different response.  The data we have are simply not enough to distinguish between these and assess which one the questioner had in mind.  What's worse is that we cannot even be sure we ourselves even know which algorithm we are really using.  I have only ever computed a finite number of iterations of what I call "multiplications by two".  Perhaps the rule I was using secretly was a completely different one that just happened to coincide in its results in these cases.  How could I ever distinguish these.  And if I don't even know what rule I'm using, how can I be trusted to drive a formal system?  On the other hand, Wittgenstein's proposed solution to this problem appears to itself be a version of formalism.  He proposes that all meaning is constructed as simple intersubjective agreement in playing a language game.  And what are these games if not little formal systems we agree to (or are coerced to into or habitually) abide by?  The space that seemed to open up for the unjustifiable intuition that I am using the "multiply by two" algorithm has suddenly snapped shut.  So it seems we can take Wittgenstein's arguments in either direction.

     One could say, based on what the argumentation demonstrates, that the community, the collective, is involved in motivating my interpretive acts but that it does not necessarily supersede my conviction. The community of players of a particular language game guides the interpretation of rules. This is natural and in some sense obvious. It would be strange to say that culture, education, tradition, community, or my experiences of the physical world have no bearing whatsoever on my interpretive practices. It is also fair to admit that I am indeed "trained" and indoctrinated in various ways. But it also follows from the above argument that even upon extensive training individuals can always challenge the grounds of justification of any given rule, as we saw in the case of Sue above.
     Nonetheless, it is possible to steer the conclusions from the "private language argument" in a completely different direction. If I believe that meaning anything by anything involves my being able to justify it—or if I happen to be one of the people who believe that meaning resides solely "in" justification—then it seems to follow that I cannot have any semantics of my own. To have any semantics whatsoever, I must follow a cultural convention. These conventions are drilled into me daily by my culture, a tradition into which I enter upon birth.
     Putting it somewhat crudely, the community programs me and debugs me during the language game that is my life. Conversely, I use the community just like the functionalist shrink suggested Sue should use a PC: I identify my meaning with what it does. It therefore appears that in this case we have a kind of functionalism on our hands. Words perform a certain function ("use") in the system of cultural conventions. I am trained to observe these conventions; the only way in which I can escape them is by making a mistake, by unwittingly causing some "infraction" of the rules. These infractions are what I mistakenly attribute to my own "creativity."(129)

Tasic concludes by bringing all these threads together in a discussion of Derrida (who is basically presumed to stand in for whatever substance there might be in postmodern ideas).  He essentially argues that unlike ze waffling Wittgenstein, Derrida is actually both an intuitionist and a formalist at the same time.  On the one hand, Derrida is famously skeptical that we can ever know the the true meaning of a text.  All we have is writing about writing about ... Each supposed subjective meaning defers to earlier ones ad infinitum.  This seems to be the same radicalization of formalist ideas we saw before. On the other hand, this same process of open-ended writing could be seen as a reduction to the absurd of formalism.  Derrida's logic here is similar to Wittgenstein's argument that we can't even know what rule we are falling and Poincaré's critique of impredicative definitions.  If a formal system has a generative grammar capable of producing new syntactical structures, then how can we guarantee that the functionalist definition of its units as those things we must use in this way will remain forever constant?  In short, new writing changes the meaning of old writing as the "text-in-general" continues to grow.  Formalism fails because things keep escaping whatever language we use to describe them.  This conclusion resembles intuitionism in that there seems to be some sort of free and creative principle at work beyond language.  But of course, for Derrida, this principle does not coincide with the individual subject but with the capacity of "writing-in-general" to produce différance -- simultaneously the distinction between signs necessary for a formal language, and the endless deferral of meaning that overwhelms fixity of this language.  Hence, différance is analogous to the continuum. QED

P.S. There are several passages that Tasic quotes in his final chapter that make Derrida's ideas appear very close to Deleuze's work in Difference and Repetition.  Does this mean I have to read Derrida!?

Monday, May 29, 2023

Motivational Interviewing

Tucker Peck periodically teaches a Motivational Interviewing class that I've considered taking.  Some portion of Miller and Rollnick's textbook is suggested as preparatory reading for the class, so when I discovered that there was a copy at the library I decided to get a better sense of what MI is all about. To my surprise, I read almost the entire thing.  It's a really well organized and interesting presentation of how to, as the subtitle has it, help people change.  

The basic message is quite simple -- the best way to help people change is to listen compassionately to their problems and help them articulate their own reasons for change and their own plan for how to carry it out.  While the message is simple, it still has a counter-intuitive aspect; we often think the best way to help people change is to convince them that their status quo is wrong.  The book argues that this strategy is frequently counterproductive, at least with ingrained behaviors.  The better approach is not for you to tell them the reasons for change, as if the problem were simply a lack of information or an erroneous logic on their part, but to let them tell you why they should change.  If you argue for change, your friend is apt to find themselves arguing the other side of the debate, which just forces them to come up with new and inventive reasons for maintaining the status quo.  Since our own reasons are always the best, this strategy backfires.  Instead, the core of the technique is about selectively affirming and the reflecting back the reasons that a person already has for changing.  Essentially, they end up convincing themselves. 

Saying the message is simple doesn't mean that I think it would be easy to master this type of conversation in practice.  But I certainly expect it to be an interesting challenge to at least try to have the patience, curiosity, and compassion necessary to help friends sort out what they want to do.   

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Intro

1) Motivational interviewing is a collaborative conversation style for strengthening a person's own motivation and commitment to change.  Avoid the righting reflex and let people overcome their ambivalence and persuade themselves to change.

2) Motivational interviewing is a person centered counseling style for addressing the common problem of ambivalence about change.
  1. Partnership, Acceptance, Compassion, Evocation (from within the client)
  2. Acceptance = absolute worth, accurate empathy, autonomy support, affirmation
3) Motivational interviewing is a collaborative, goal-oriented style of communication with particular attention to the language of change.  It is designed to strengthen personal motivation for and commitment to a specific goal by eliciting and exploring the person's own reasons for change within an atmosphere of acceptance and compassion.
  1. Four phases -- engaging, focusing, evoking, planning
  2. Core skills -- open questions, affirming, reflective listening, summarizing
Engaging

4) Traps that prevent engagement -- assessment (lots of short informational questions), expert, premature focus (what are all the client's issues?), labeling, blaming, chat 

5) Reflective listening is about prompting someone to continue to explore an issue by briefly reflecting back to them a guess about the meaning of what they've already said.  "Continue the paragraph" and don't throw up roadblocks that encourage stopping.

6) Core conversational skills OARS -- open questions, affirming, reflecting, summarizing

7) Encouraging people to explore their core values can highlight the discrepancy between these and their current behavior and motivate a change.

Focusing

8) MI uses a guided style of deciding what to focus on, midway between directing and following.  Sometimes the focus is clear, sometimes it is unclear, and sometimes there are several clear options.

9) It's important not to narrow the focus too soon.  Agenda mapping is a tool for when there are several possible clear areas of focus.  It is a meta-conversation about which areas are mutually considered most important to talk about.  Orienting is a tool for when the focus is unclear.  It surveys the landscape and attempts to fit various puzzle pieces into a coherent narrative.

10) Don't be evil

11) People's difficulty with change is usually not lack of information.  Give information or advice in an elicit-provide-elicit format -- ask if they want or already know the information, provide it in usable chunks, and ask for a response to the information provided.  

Evoking

12) The mix of change talk and sustain talk reflects ambivalence about changing.  There are two levels of change talk
  1. Preparatory change talk -- DARN
    1. Desire -- want, wish, hope
    2. Ability -- can, could
    3. Reasons 
    4. Need -- must, have to
  2. Mobilizing change talk -- CAT
    1. Commitment -- will, swear, promise
    2. Activation 
    3. Taking steps
13) The more change talk, the more change.  The first goal of MI is to evoke change talk.
  1. Ask evocative questions that evoke DARN -- the answers to these questions should be change talk.  Don't ask for questions about why change hasn't or can't happen.  
  2. Use the importance ruler -- how important is change, and why isn't is LESS important?  The answer should be reasons why change is at least somewhat important.
  3.  Querying extremes -- what is the worst outcome of the status quo?  what is the best outcome of change?
  4. Looking back and looking forward -- was their a time before the status quo?  can you imagine a different future?
  5. Exploring goals and values -- uncover what goals the status quo is inconsistent with.
14) Respond to change talk in a way that evokes more of it by using OARS to produce more DARN CATS

15) Sustain talk is a natural part of ambivalence towards change, but should be responded to strategically so as to evoke more change talk.
  1. Reflection  -- straight, amplified (exaggerated), double-sided (cite reasons for change last)
  2. Emphasizing autonomy -- people are more likely to choose change when it feels like a choice
  3. Reframing, agreeing with a twist -- drawing out other perspectives 
  4. Running head start -- when there is no change talk, you can try listing out all the sustain talk to try and bracket it
     Discord is a breakdown of the therapeutic relationship.  Signs of discord are defending, arguing, or disengaging.  It can be reflected, apologized for, the client's autonomy affirmed, or deflected.

16) People are more likely to change if they believe they can.  Hope for and confidence in the ability to change need to be evoked in the same way as motivation for change.
  1. Use the confidence ruler -- why do you have non-zero confidence?
  2. Identify and affirm character strengths
  3. Review past successes 
  4. Brainstorming 
  5. Reframe past failures as attempts
  6. Hypothetical thinking -- imagine a world in which certain roadblocks have been removed
    Respond to hope and confidence talk in a way that strengthens it using OARS

17) If you want to stay neutral and not guide someone towards change, use a decisional balance approach that systematically examines the advantages and disadvantages of both possibilities.

18) If there is no ambivalence and no interest in change, try to instill a sense of discrepancy between a person's actions and their core values.  One technique is to have them imagine another person's perspective or reasons so they can see themselves from outside.  But let people find the contradiction on their own.

Planning

19) Don't begin the planning process until people are ready.  Signs of readiness include:
  1. Increased change talk
  2. Taking steps
  3. Diminished sustain talk
  4. Resolve -- often quiet and unstated
  5. Envisioning the future state
  6. Asking questions about change
Move from evoking to planning with a recapitulation (a long summary of client change talk) and a key open question (what's next?).

20) Change is more likely if the client has a specific plan that they believe will work and that they can accomplish.
  1. If there is one clear plan, you can summarize it and troubleshoot it to evoke more mobilizing change talk (CAT)
  2. If there are a few clear options you can itemize them and see which the client believes is most likely to work.  Then this reduces to problem 1
  3. If there are no obvious options, you may need to brainstorm some to reduce this situation to problem 2
21) Break a plan down into steps and strengthen commitment to each step using the same tools as for the whole plan.  It can help to have the client tell other people of their specific intentions and to create a monitoring system for themselves.

Sunday, May 14, 2023

The Gift

The subtitle of my edition of Lewis Hyde's classic is "Creativity and the Artist in the Modern World".  But it seems to me that the one featuring this foreword by Margaret Atwood is more accurate: "How the Creative Spirit Transforms the World".  Because in the end, as Hyde himself admits in the afterword to the 25th anniversary edition, the book really aims to describe something timeless about the attitude we need to maintain towards the production and reception of art if it is to thrive.  The main point has nothing specifically modern about it, and in fact Hyde works out most of his theory by considering 'archaic' stories about gift exchange that appears in myths, folktales, and anthropological sources.  To summarize: the artist needs to approach creativity as a gift rather than a 'willful' action of the individual ego, and to express her gratitude for this gift by giving something of it back to the mysterious source from which it came.  

The Gift is divided into two roughly equal parts.  First, Hyde lays out the logic or structure of the "gift economy" by drawing examples of gifting rituals from a wide variety of sources.  In addition to the myths, etc ... we already mentioned, he describes everything from early Christianity to the scientific community as structures that create solidarity through the continual circulation of gifts.  The structure of the gift economy is then opposed point by point to the more familiar (to us) market economy.  In the second half Hyde applies his analysis of this opposition between the gift and the market to the lives and works of Walt Whitman and Ezra Pound.  Basically, he argues that Whitman was able to negotiate some balance between these opposed economies while staying mainly on the gift side, while Pound was more or less driven nuts by their divergence.  Perhaps because I haven't read much of either poet, I found the first half of the book significantly more interesting than the second part.  

Since I was fascinated by the structure of the gift economy described by Hyde, and since it seems very similar to other empty or vortical structures we've seen before, I want to spend a little time collecting and summarizing the main characteristics of the gift outlined in the first half of the book.  1) The most important point is that the gift must always circulate.  Bad things happen when the gift is accumulated or possessed rather than passed on.  The gift doesn't begin with an individual and it can't stop at an individual.  In a gift economy, the individual is always an instrument or conduit for a force that exceeds them.  Thus the natural symbol of the gift is the circle, which Hyde illustrates by discussing the Kula ring, and other closed loops of exchange.  2) Because the gift grows when it circulates, the closed circle is actually a feedback loop.  As long as the gift is passed on in the same spirit in which it is received, it keeps on giving, and its enjoyment does not exhaust but replenishes it.  This means that the circle of the gift takes on "a life" of its own, and constitutes a kind of collective body that encompasses the individuals involved in its transit.  Hyde associates this self-sustaining circle with a spiritual life, and links it to Karl Kerényi's interesting sounding discussion of the way the myth of Dionysus illustrates the Greek (or just Aristotelian?) distinction between βίος (bios) and ζωη (zoe).  In this context, we might say that the gift expresses the essence of the religious impulse that dissolves us in something beyond ourselves.  3) The act of passing on the gift requires something of us, some investment of time and effort, a labor of love.  This means that the individual who is the conduit for the gift's circulation is not merely a static and passive placeholder, but is actually transformed by their role in the passage.  The gifted person must work at elaborating their gift, which results in the simultaneous growth of both the gift and the person.  4) Further, the gift transforms both the giver and the recipient by creating a bond of feeling between them.  The individuals involved are swept up in what Hyde calls an "erotic" commerce that draws them together in some type of intimacy.  5) At a larger level, these feeling bonds created by the passing of the gift are what holds whole communities together.  What appears to be a continual momentum or temporary indebtedness at the individual level becomes becomes a force of solidarity at the group level.  Thus the circulation of the gift creates a sort of public spirit that everyone owns because no one can possess it.  Hyde refers to the gift as "anarchist property" similar to Kropotkin's idea of mutual aid.  6) The gift economy is often (though not always) gendered female.  Much of the transpersonal and community building action of gifting is undertaken by women, and, conversely, many labors that involve some degree of gift, such as a nursing or teaching, are considered female occupations.

This last duality leads us directly to the contrast that Hyde slowly develops alongside his description of the characteristics of the gift.  The gift is not a commodity.  Its exchange is not a market transaction.  If we invert each of Hyde's descriptions we find a precise description of capitalist money.  1) The goal is not to circulate but to accumulate it.  2) The means to do this is to capture the increase that results from circulation as profit.  3) While we may have to work at this capture, it is anything but a 'labor of love', and it certainly doesn't transform us.  We can see this in the purest form of profit -- financial profit -- where it is the money itself that does all the work. 4) Market transactions a specifically designed to keep buyer and seller at arms length and only impersonally related.  5) Instead of creating and being guided by a community feeling, these transactions are governed by a 'blind' contractual law.  6) And need we even remark that the market is male?  Drawing our attention to this contrast is Hyde's ultimate point.  Art, amongst other things, thrives in a gift economy but distorts and withers in a pure market economy.  It seems a rather unremarkable and uncontroversial thesis, yet somehow or society seems endlessly capable of forgetting it.  What Hyde offers is both a reminder of this truism, and a detailed look at the life of the gift.  May we learn to recognize this spiritual economy that is so, "abstruse, subtle, deep, hard to see, going against the flow".

Saturday, May 6, 2023

When We Cease to Understand the World

Benjamin Labatut's strange mix of fact and fiction is brought to you on the basis of a recommendation by the same esteemed colleague who suggested But Beautiful.  The two share the same basic format -- fictionalized stories inspired by real events that happened to real people.  In this case, instead of musicians, the heroes are scientists like Haber, Grothendiek, and Schrodinger.  But Labatut's stories tell of the same sort of damage and madness as the price of creativity.  The writing does a wonderful job of conveying something of the anguish specific to scientists whose genuine breakthroughs seem to paradoxically make the world less comprehensible on an intuitive level.  Interestingly though, while I enjoyed the stories, I found that my emotional response was a bit blunted.  It's hard for me not to feel that ultimately these men, possessed by the fever dream that their eight pound lump of mammalian cortex should be able to unlock all the secrets of the universe, are a bit like ... children.  

Thursday, May 4, 2023

Lack and Transcendence

I learned so much from David Loy's first book that I knew I would eventually need to return to his work.  Fortunately, Lack and Transcendence is just as clearly written and insightful as Nonduality, though its essays are closer in style to dharma talk than dissertation.  As a result, this one may perhaps prove even more influential for me, since it is written with the passion of direct practical insight into our fundamental dilemma -- the ego can't solve our problems because it is our problem.  

Of course, there are many ways to express this idea that the sense of self is the source of our suffering.  Here, Loy tries to couch the problem in terms that make the Buddhist concept of no-self seem like a continuous extension of the ideas of psychotherapy and existentialism.  He traces a path that begins with Freudian psychoanalysis, moves past existentialists like Heidegger, Kierkegaard, and Sartre, then passes through "existential psychotherapists" like Becker, Brown, and Yalom, before finally ending with Dogen and other nondual Buddhists.  The whole trajectory is held together by the questions, "what do we really want?" and, "what are we afraid of?"  For Freud, sex was the biggest source of our desire and anxiety.  For the existentialists, the problem was the thrill and terror of our ungrounded freedom.  The existential therapists (a new term for me) that Loy discusses then hypothesized that the root of this philosophical craving to be, and fear of non-being, was the more practical fear of death.  Loy continues this story by asking again what we really fear and desire, and discovers the Buddhist response lurking under all the previous answers -- our ego desperately wants to be real, and constantly suffers (correctly) from the  sneaking suspicion that it is not.  

This subtle shift in emphasis puts a profound new spin on the source of our anxiety as well as all the projects aimed at repressing it.  It's not that we desire something 'objective', like sexual power or freedom or eternal life.  Conversely, Freudian castration or even our own death are not the ultimate objects we fear.  Loy interprets these objects as the symbolic return of the repressed consciousness that we have no real and substantial essence.  Our deepest fear is that there is something essentially missing from ourselves, that, as Loy puts it, "there is something wrong with me".  Death, then, is merely a symbol projected into the future of something we're afraid of now -- our contingency, that is, our emptiness.  No object can assuage this fundamental 'lack' that constitutes us because, no matter what it attains, the ego cannot lift itself by its own bootstraps and, as it were, prove to itself once and for all that it is a real, essential, or self-existing subject.  Thus the ego is a perpetual motion lack machine.  In other words, our existential dread is not built into the structure of the world, but into the structure of our selves.  Which is great news!  Because it means that we can end our suffering without getting some particular object and without giving up the world.  All we have to do is give up the habit of behaving as if our self were an essentially existing thing.  The problem vanishes when we realize that we have invented it ourselves.

Because of the peculiar way the book is written, the thesis I just described is not the climax of a long argument, but spills out rather haphazardly in the first chapter.  Loy explains in the preface that he didn't set out to write a book but to give a simple teisho.  One thing led to another, and what we have reads more like a collection of insightful aphorism collaged together after the fact.  This means that, from one point of view, the book can feel very repetitious.  We come back to the idea of the self as a sort of lack machine over and over again.  However, each chapter revisits the idea from a slightly different perspective.  Loy successively explores its implications for our concepts of death, time, suffering, and meaning.  These chapters are all excellent, and make use of an eclectic mix of Eastern and Western thought to show how Loy's idea of lack speaks to some of these classical philosophical topics.  The final two chapters are a bit of a departure from this mold and discuss the way whole cultures can function as collective machines for generating and maintaining a sense of lack, precisely by seeming to offer us easy solutions to the problem.  While also interesting, these chapters seemed considerably weaker to me, perhaps because they seem to have a rather naive social ontology, or perhaps because they appear to be written as extensions, later, and with less force of personal insight.  

Tuesday, April 25, 2023

Practicing the Jhanas

On a recent retreat with Tina Rasmussen, I asked a question about the jhanas as I learned them from Leigh Brasington.  She basically replied that those weren't the jhanas at all, but just varying forms of access concentration -- hence the term "lite jhanas".  On returning home I looked back at Brasington's book, and was reminded that the whole second half is dedicated to arguing that the Buddha actually taught the something much closer to the 'lite' version.  Knowing that Rasmussen studied the 'heavy' jhanas of Pa Auk Sayadaw, I should have anticipated her response to my question.  In the end though, it doesn't much matter to me what the historical Buddha really taught or which is the authentic jhana -- what matters to me is how I can use these techniques in my practice.  So, even though I found Brasington's scholarly argument to be fairly convincing, I thought I would keep an open mind and read about Rasmussen's version of the jhanas.

The book, co-written with her husband Stephen Snyder, is a detailed practice guide for those looking to enter the states that the traditional Theravadan orthodoxy of the Visuddhimagga calls the jhanas.  It's clearly and plainly written and straightforward to follow.  Which doesn't mean that it's easy to follow.  The instructions are aimed mainly at monastics and people on months long retreats. These are the only folks likely to sustain the almost superhuman concentration these states require.  For a mere mortal like myself, the only relevant chapter was the one that describes the techniques and landmarks that come well before entering the first jhana. I've occasionally focused on my breath pretty consistently and even seen a nimitta now and then.  Apparently I would need to stabilize this, "energize" it, and merge it with my perception of the breath at the nose in order to approach the first jhana.  Maybe someday.  For now, this whole sequence, as well as all the elaborate jhana instructions that follow are quite simply above my pay grade.  

Wednesday, April 19, 2023

I Am

Jean Klein is part of what people sometimes refer to as the neo-Advaita movement, a modern day update of traditional Hindu Advaita Vedanta.  Having not read Ramana Maharshi, or any other gurus who would be similarly classified, I can't say how representative Klein was.  But this book of question and answer sessions with students definitely illustrates a critique often leveled at this philosophy.  Klein basically just repeats the same idea again and again in answer to every question -- you are already awake, you are already everything, all you have to do is realize it in a sudden moment of grace and clarity.  While I think there's something to be said for this emphasis on not striving for awakening and not employing any concepts to describe it, it makes for a boring book and confirms that this "path" offers no concrete practices and no idea of gradual development.  Basically, it seems you are just supposed to hang out with the guru until you realize you are no different than him, and then you can put out your own guru shingle.  How's that  for 3,000 years of beautiful tradition?  The book has some lovely bits of non-dual poetry that might serve as reminders if you've already experienced something of the basic insight, but I'm at a loss to imagine how anyone could get anywhere if they began with such amorphous instruction.

Thursday, April 6, 2023

But Beautiful

When I received two separate recommendations for Geoff Dyer's book about jazz over a short time period, I decided it must be worth the trouble.  So it's not surprising that the book is lovely to the point of painful.  Dyer's fictionalized stories of the lives of various jazz heroes are held together above all by his focus on the damage done to these incredible musicians.  But, as the title implies, their fragility gives birth to a beauty that goes way beyond the individual involved, and, perhaps as the more straightforward music criticism in the afterword suggests, actually consumes that individual in its creation.  Since Dyer's stories are more like prose poems than plots, he does an amazing job of capturing the ineffability of the mood that a particular artist or piece of music can evoke.  In this sense, each chapter records Dyer's own emotional reaction to an artist, but elaborated an act of imaginatively sketching the life that could have produced the music so packed with this emotion.  A unique book that any jazz fan is going to love.  
 
#reread  

Tuesday, April 4, 2023

The Dawn of Everything

There are a lot of things to dislike about this book.  While Graeber and Wengrow mercifully avoid writing like your typical academics, this doesn't necessarily make for an easy read.  Beyond its density of detail, which one can choose to see as a bug or a feature,  the real problem with their writing is a tendency towards digression so severe that it frequently swamps their entire argument.  I often found myself spending a lot of extra time reconstructing the overall shape of what they wanted to say (and what they probably thought they said) by stitching together the scattered points of several long-winded and not well marked tangents.  Nevertheless, the wealth of anthropological and archaeological information they provide was for me so novel and interesting, and their main points so cogent and important, that I decided to make the detailed summary you'll find below.  While it's strange to say, I thoroughly enjoyed this book, and yet can't think of anyone I would recommend it to.

1 -- Farewell to Humanity's Childhood

Graeber and Wengrow originally set out to write another book about "the origins of inqeuality", only this time one backed up by anthropological and archeological evidence, rather than arm-chair philosophizing.  Along the way, however, they discovered that the very form of the question revealed more about the present than any straight-forward answer would reveal about the past.  Because the question only makes sense if you believe from the outset that: 1) we are unequal now, 2) that this is, in principle at least, a bad thing, even though it may have been a necessary evil for various reasons, and 3) that there was some moment in the past where we were equal.  While our current economic and political arrangements make 1 pretty obvious to everyone, the other two assumptions are less clearly fulfilled.  

While many might consider it perverse to take issue with 2, G&W deny precisely this assumption, though in a quite subtle way.  These guys are honest to dog anarchists, not merely libertarian posers who whine to the government every time they might lose money.  So they do not make the classic libertarian argument that inequality is not a bad thing because equality always effectively means an equality of poverty.  That argument in fact exposes precisely the problem of how, regardless of our moral evaluation of it as good or bad, we take the organization of our current world to be inevitable, and go on to project this inevitability into the past, a problem G&W set about trying to correct.  Like most folks, the libertarians too concede that equality is a good thing in principle, but they place a much higher value on being rich.  And, since it's mostly rich folks making this argument, they, quite correctly, think that more equality would mean less wealth (for them).  When they extrapolate this inverse relationship into the past they conclude that there must have been a time when we were all equal, but that our lives then were, as Hobbes' said, nasty, brutish and short.  Instead of arguing that being rich is more important than being equal, G&W effectively argue that what we really want is to be free.  In their eyes, equality is not something that society should, even in principle, strive towards.  What makes inequality problematic is not that people are different and some have more stuff, but simply that, in our society, the people with more stuff get to order everyone else around, and these orders are ultimately enforced by the state's monopoly on violence.  While this perspective is obviously not pro-inequality, it's more fundamentally pro-freedom.  As a result, it robs the question of "the origins of inequality" of all its interest, and instead forces us to ask how it was that we constructed societies where unequal property arrangements lead directly to unequal political treatment.  In other words, their question becomes, "what are the origins of unfreedom"?  Just how far back does slavery (taken in the broad sense) go?

2 -- Wicked Liberty

Turns out, someone has already answered this question.  Rousseau famously thought that humans began in a blessed state of nature characterized by equality and freedom.  Then they fucked it up by inventing agriculture and private property.  G&W spend chapter 2 exploring the intellectual history that led Rousseau to invent the "noble savage" in his 1754 Discourse on the Origin and the Foundation of Inequality Among Mankind, and then try to understand why this idea has been so influential.  

On one level, the answer to the latter question is fairly simple, and the logic of it is worth elaborating since it's central to their whole goal in writing the book.  Rousseau provides a variation on the myth of Original Sin and the Fall from the Garden of Eden.  Thus he forms a romantic rejection of the liberal (in the classic sense current at his time) position we saw associated with Hobbes in chapter 1.  In both cases, however, the inequality and unfreedom of the modern world appear as inevitable side effects of development or progress.  As a result, the implication is that we just have to put up with these aspects of our society, because, after all, it would either be worse if we tried to change anything, or, alas, it would be as impossible as returning to the womb.  So it seems that the idea that humanity began in a simple, uniform State of Nature is like the mirror image of our belief in the inevitability of the Present.  If we like the current system, we imagine the trajectory arcing up, and if we dislike it, we imagine history as a fall from grace.  But in either case, there's nothing we can do to change how we live, since history unfolds lawfully along a straight line between alpha and omega.  By way of contrast, this logic highlights the most valuable thing that The Dawn of Everything offers us-- a sense of the contingency of history, of the role of human political agency in it, and a corresponding sense of the possibility of change in the present.  

However, the bulk of this chapter is actually devoted to an interesting, though to my mind not totally convincing, intellectual history of the Enlightenment ideas that led up to Rousseau's famous essay.  The story is motivated mainly by G&W's own journey in writing the book.  If, as we saw, the question of the origin of inequality is something of a distraction from the more fundamental question of the origin of unfreedom, then how is it that we came to be so obsessed with the former?  I won't detail their whole, quite complicated and somewhat dubious, answer to this question.  But the bigger picture is fairly clear.  They claim that the Enlightenment actually began due to the revolutionary intellectual impact of Europeans encountering (indigenous) Americans.  The completely different and much more free political organization of many American societies -- and those society's decidedly negative view of the unfreedom of European society at this time -- allowed free thinkers like Voltaire et. al. to critique their own society by adopting this outsider's perspective.  So they tell an interesting story about the impact of people like Kondiaronk on intellectual history, which has the effect of making it appear as if the Enlightenment were originally a sort of anthropological sci-fi.  But of course, in the end, "society must be defended", and the Europeans, instead of taking the American critique as that of an intellectual equal, invented the story of the inevitable stages of human history, beginning with the Fall, and culminating in ... well, in late-Enlightenment Europe.  This allows someone like Rousseau to simultaneously take on board the indigenous critique of Europe, but also to defuse it.  The Americans are right; their own society is much more free than Europe.  But that, Rousseau will argue, is the price we pay for our Original Sin of agriculture and development.  What, after all, can modern Europe really learn from a bunch of children still living in the Garden of Eden?  Like I say, as a history of the shifts in intellectual currents during the Enlightenment it's not terribly compelling.  But it does at least outline a way the politically explosive question of how European society got to be so unfree can be transformed into a more manageable, almost technical, question about how it got to be so unequal.  In Rousseau's story, we were only free back when we were all equals. In our inevitable Fall, our society lost both of these attributes simultaneously.  Positing a State of Nature binds up these two variables so that we can only imagine freedom by imagining a simple, undifferentiated, and egalitarian society.  But since "everybody knows" we can't go back there, the best we can do is manage these to be a little less bad.  

3 -- Unfreezing the Ice Age

Next, G&W proceed to tackle some of the odd and not well-founded assumptions we tend to make about human life in the ice ages.  These assumptions are congruent with the idea that a single, simple, uniform, State of Nature characterized all early human populations.  Since homo sapiens emerged roughly a million years ago, and we usually imagine this original state dissolving only with the Neolithic Revolution of agriculture and permanent settlement (after the end of the last ice age ~10,000 BCE), this period dominates the bulk of humanity's existence as a species.  This long pre-history leads to what they call the "sapient paradox"; if modern humans evolved from apes so long ago, why did we continue living in tiny hunger-gatherer bands -- in other words, like apes -- until fairly recently?  Sure, some folks choose to model these bands on the cooperative egalitarian bonobo of Rousseau, and other on Hobbes' nasty, brutish chimpanzee, but everyone seems to agree nothing much was going on over this incredibly long period.  If we were humans, why weren't we doing, you know ... human stuff?  

Their response is simply to deny that this paradox exists.   No matter how far back we look, they claim, we find no evidence that most humans were organized exclusively into the small nomadic hunter-gather bands that we expect to find in the State of Nature.  They discuss a variety of new archaeological evidence that suggests an ever-earlier inception date for large, politically complex groups that are nevertheless still hunter-gatherers.  All of these sites seem to point to the fact that humans have been organizing themselves in a self-conscious political fashion (unlike our ape ancestors) for much longer than we usually credit ourselves with.  In this context, they bring up a very interesting hypothesis -- perhaps pre-historical political structures varied dramatically by season.  There's archaeological evidence, for example, that the monuments at Göbekli Tepe were used only seasonally for ritual purposes.  And then there's a host of anthropological examples of groups (like the Nambikwara, the Inuit, the Kwakwakaʼwakw, and some of the Plains Indians) who have dramatically different modes of living and political structures depending on the time of the year.  In some periods, these groups are effectively anarchists; no one can coercively order anyone around.  In other periods, they have leaders with near absolute power.  And these different organizations don't seem to map onto variables like the size of group or abundance of resources in any clear way.  If this seasonal variation was a pretty common (and it's hard to imagine it wasn't once we left the area around the equator) it suggests some fascinating implications.  Not only does it suggest that people may have organized into large groups long before we normally think, but it suggests that they regularly had experience with different political structures.  If you live in a small band during part of the year and a large group during another part, and the rules of conduct are different in the two cases, it's going to be pretty hard not to reflect on the fact that political structure is a choice, and precisely not something inevitable.  Self-aware 'savages' with multiple complex political structures obviously blows up the whole theory of the State of Nature and the inevitability of 'human development'.  Which of course, once again transforms the question G&W are interested in.  If there never was a State of Nature, then it makes no sense to ask about the origins of inequality, or even of unfreedom.  Humans were equal in some parts of the year and free in others, and the two things didn't have much to do with one another.  Instead, the question becomes how we lost the freedom to switch between these types of structures.  "How did we get stuck?"

4 -- Free People, the Origin of Cultures, and the Advent of Private Property

This chapter begins by recapitulating their now familiar idea that what humans really want is not equality, but freedom.  Societies which from the outside we call 'egalitarian', are, from their own perspective, simply focused on preventing the emergence of a system where some people become able to permanently boss other people around.  These societies may still have inequalities along all sorts of axes like sex, ceremonial status, and wealth, but these inequalities are not permitted to disturb the fundamental equality of effective autonomy for everyone.  So, how did we lose this autonomy? 

When we look around at our own society, the answer seems obvious.  It's the way our society is geared towards the continual accumulation of private property that gives some people the leverage to tell others what to do.  If we didn't have to work, we'd be free.  If the basics of life were readily available and we just didn't want so damn much stuff, then we'd mostly do whatever we want without listening to bosses or governments.  This is the story that Marshall Sahlins tells in The Original Affluent SocietyThose hunter-gatherers had it made.  They only worked a few hours a week to get food and spent the rest of the time enjoying life.  While G&W are supportive of Sahlins' basic claim that a good foraging ecosystem can keep everyone fed relatively easily, they point out that the 'original affluent society' thesis is yet another morality tale about the Fall.  This time, it's our own greed that drives us out of paradise and into the chains of forced labor.  The story assumes, once again, that there was an original state where human life was simple, where there was nothing much going on beyond the minimum subsistence.  And, once again, G&W deny that there ever was such a state. This time they discuss various monumental early Holocene sites like Poverty Point and Sannai-Maruyama where these contented hunter-gatherers for some reason decided to work their asses off building huge monuments in their 'leisure' time.  Apparently, the idea that 'affluence' involves nothing more than big drinks with little umbrellas is not universal.  If these societies were free (or at least seasonally free) then it cannot be simply the emergence of new (biologically useless) desires alone which ends up trapping us in the endless monotony of work and domination.  

It turns out that they don't actually offer an alternative explanation of how we get stuck in this chapter.  They do, however, conclude with a pretty interesting take on the origins of private property -- it begins with the sacred.  They compare the characteristics of private property to the Polynesian idea of tabu -- 'not to be touched'.  It seems that many of the hunter-gatherer monument complexes (and other surplus burning activities like potlach) may have chiefly served ritual purposes.  This sacred context is precisely the one in which elaborate prohibitions are made on the possession of various secret artifacts or knowledge.  

5 -- Many Seasons Ago

The main argument of this chapter is a bit convoluted, and doesn't really advance their question of "how we got stuck".  Instead, they return to a question they mentioned in passing in the previous chapter -- how did we evolve so many distinct cultures?  To my mind, this question itself is somewhat at odds with the perspective that G&W have been developing.  They claim there's lots of evidence for a single ''cosmopolitan' culture during the last ice age.  As if there were a uniform 'human culture' that somehow allowed all the hunter-gatherer groups to interact over long distances.  But the only evidence they give for this is that rare resources like obsidian and such can end up a surprisingly long way from their source.  Which doesn't seem strong enough for such a broad conclusion.  In addition, wouldn't this 'cosmopolitan forager' culture constitute exactly the original culture of humanity that they've spent so much time arguing does not exist?  

This hypothesized undifferentiated state is needed because they want to argue that cultures differentiate by defining themselves in contrast in a process of "schismogenesis".  The goal is clearly to develop some theory of cultural change that does not rely on simple drift, but requires the active agency of the people involved.  While they don't do an amazing job of arguing for the explanatory power of this theory, they do give an example of the process which provides lots of interesting information about the Americans who inhabited the Pacific coast just before white people showed up.  It seems that the native groups of the Pacific Northwest, could not have been more different from the Californian groups, even though both groups were foragers who had rejected the agricultural society long common in other parts of America.  In WA, the "Fisher Kings" ate mostly fish and had a hierarchical society not dissimilar to feudal Europe, where the lords were constantly boasting and competing with each other other for status their potlach gifts.  In CA, the "Protestant Foragers" chose to live mostly on acorns, and had an egalitarian society that valued thrift and hard work.  In WA, wealth took the form of unique and in-exchangeable family heirlooms, and there was no real private property.  In CA, they used shell money and everything belonged to someone.  And, crucially, the WA tribes all practiced slavery, whereas the institution appears nowhere in CA.  It's hard not to see these two cultural areas as in some sense deliberately choosing polar opposite lifestyles.  G&W imply that the crucial element that distinguishes the two cultures is their position on slavery, though it seems difficult to separate just this one dimension from the whole political and ecological constellation of a society.  But their broader point is simply that humans are (at least partially) free agents making self-conscious decisions about what type of society they want to live in.

6 -- Gardens of Adonis 

In this chapter they tackle the origins of farming.  Did farming began primarily a means of food production?  Or was it more a form of ritual gardening meant to produce a little food alongside its more important role in providing other materials (like straw) as well as a collective work context?  As you might guess, G&W argue for the latter interpretation, citing evidence that much of the farming around Çatalhöyük was 'flood recession' farming, where you just throw some seeds on the river bed at the appropriate time of year, and then come back a few months later for the harvest.  This is no way to farm if it's your major source of calories.  in addition, it seems that the length of time between the first signs of crop domestication and the move to full time farming is much much longer than can be explained simply by the slowness of genetic modification of crops through selection.  In other words, for a long time, people farmed merely as a supplement to their -- free or at least 'unstuck' (seasonally free) -- forager lifestyle.  Clearly this sort of dabbling in farming makes any history which posits a 'agricultural revolution' that leads inevitably to private property and states and relations of social dominance much less convincing.

In addition to arguing against anything like a neolithic revolution, they also argue against the commonplace idea that agriculture must have been bad for women.  In fact, they suggest that this long slow adoption of gardening was actually driven by, and established new-found respect for, women.  Men, of course, continued to hunt, but women's detailed knowledge of plants became increasingly important through this slow process of domestication.  While intriguing, the evidence they cite for this proposition is pretty thin.  Basically, all they have to go on are the presence of large numbers of statues of corpulent women in lower Mesopotamia.  These contrast strongly with the terror inspiring imagery of dangerous animals carved into the pillars of Göbekli Tepe (located in the 'upland' part of the fertile crescent).  So perhaps there was some sort of war of the sexes playing out in this period?  

7 -- The Ecology of Freedom

If there wasn't anything like a single agricultural revolution, and if the adoption of some limited agricultural production (basically, gardening, or as G&W call it, "play farming" or "the ecology of freedom") does not lead inevitably to hierarchical city-states, we are left with the difficult task of tracing the more complex actual form of the long slow spread of agriculture through human populations.  In this chapter G&W begin to discuss recent revisions to the archaeological picture which now seem to indicate that there were 15-20 independent centers of crop and animal domestication scattered all over the world.  The spread of agriculture from each of these centers was quite different, but they suggest that there are some commonalities in the stories we have unearthed so far.  As examples, they discuss the spread of farming from a Chinese center across Polynesia, as well as the spread from the fertile crescent into what is now Germany, and into the Nile Valley.  They conclude, from comparing these 3 cases, that 'serious' farming actually spread as a sort of marginal activity that supported populations on land that was not already heavily occupied by forager groups (who had naturally chosen the best spots already).   And, in the case of Germany, this marginal life style even apparently underwent a dramatic collapse around 5,000 BCE, perhaps due to a tendency towards mono-cropping.  They contrast these stories with a discussion of the way that Amazonian groups long 'played' at farming, without ever committing themselves to the exclusive cultivation of just a few crops or animals.  The goal is to tear down the image we normally have that, love it as a symbol of progress or hate it as the means of our enslavement, farming is an obviously superior strategy to foraging.  

8 -- Imaginary Cities

So fine, maybe hunter-gathers periodically got together in large groups of their own free will, and maybe for millennia most of humanity played at farming rather than exclusively committing themselves to its back-breaking labor.  Still, look around.  Eventually, agriculture won.  And however and whenever that happened, it must naturally have led to increasing population, and from there to the founding of cities and their inevitable class divisions and rulers, right?  G&W devote this chapter to disproving the inevitability of what we usually just call 'civilization' -- the trajectory that leads from agriculture through urbanism to specialization and centralized administration of the state.  Turns out, some of the earliest cities were probably republics in their first phase and in most places there seems to be a gap of nearly 1,000 years between large urban settlement and the appearance of princes and kings.

G&W compare and contrast the histories of 3 famous ancient cities -- Uruk in Mesopotamia, Talianky (et. al.) in Ukraine, and Mohenjo-daro in Pakistan.  These are all fascinating stories, and I won't go into the details other than to say that G&W make a decent argument that their early history is nothing like what we imagine should happen when lots of people live in the same space.  Instead of immediately needing a king to organize them, these people seem to have formed unique types of self-organizing collectives.  Since these organizations seemed to last for hundreds or even sometimes a 1,000 years, G&W speculate a little as to how they might have worked.  Talianky may have been organized on a circular principle where various duties rotated through the city on a monthly basis.  Uruk seems to have been a kind of worker collective, where the temples each produced a standardized product.  And Mohenjo-daro might have been organized into a (paradoxically) harmonious caste system run by precursors to the brahmins who spent most of their time taking ritually purifying baths.  What's more, each of these cities (along with Shimao, which they also discuss briefly) has a long and complicated history where periods of self-governance alternated with dynastic control.  Questions can certainly be asked about whether G&W are exaggerating the level of democracy in any of these ancient cities.  But they do enough to make you feel like the ingrained assumption that any large group requires some form of coercive leadership like a king is just a prejudice on our part.  

In passing, G&W also provide an interesting theoretical rejoinder to the common assumption that the increasing scale of society must result in a shift towards authoritarianism, or at least in some dramatically new social organization.  Following Canetti, they observe that people have long belonged to imaginary groups that stretched far beyond those they interacted with on a daily basis.  The Clan of the Cave Bear or other neolithic 'culture zones' may have stretched over an entire continent.  And as Canetti pointed out, the first cities may have been the 'invisible crowds' of the dead, to which the living belonged only through imagination.  Similarly, even in a modern city, our habitual routes may bring us into contact with a very small slice of life, and yet we can still identify as 'New Yorkers' or 'Angelenos'.  The point here is to question the seemingly inevitable connection between population density and social organization.  Humans have been living with the idea of larger groups since the dawn of time, which may mean that our mental outlook needs to change less than we imagine when we begin to live in these groups in fact.  

9 -- Hiding in Plain Sight

At this point G&W move on to consider more recent, and more complicated, urban histories.  They also shift locations, and in this chapter discuss two Mesoamerican cities: Teotihuacan and Tlaxcala.  While they admit that some of the history is a little speculative, they argue that both of these cities had long democratic or republican phases in their history.  

Teotihuancan is particularly interesting because its self-governing era would have overlapped precisely with the classical height of the Mayan empire.  Here again, they suggest that the city may have distinguished its own culture from that of the nearby Maya in a process of schismogenesis similar to the one they described in chapter 5.  One example of this opposition was their decision (perhaps as a result of some sort of social revolution in roughly 300AD) to stop building monumental pyramids and instead devote resources to building 'palatial' stone homes for just about the entire population.  

Tlaxcala they discuss mainly because it was one the cities that allied itself the Spanish conquistadors in their overthrow of the Aztecs.  While there's a certain amount of speculation about just how Tlaxcala was organized when the Spanish arrived, the various Spanish accounts do seem to repeatedly point to the fact that its was not governed by a king.  One account even records a public debate worthy of ancient Athens that occurred between city elders charged with deciding whether or not to join the Spanish.  It's an interesting reversal of perspective to consider that, at the time of the discovery of the 'new world', some of the indigenous American population knew more about practical democracy than the Europeans had forgotten.  

10 -- Why The State Has No Origin

By this point in the book, it's not difficult to guess what G&W will make of the question of the origin of the state.  Like the other origin questions they've dealt with, it too involves a myth-making projection of the present into past, the search for an unavoidable starting point that will inevitably evolve into the modern state we are all familiar with.  So their overall conclusion is that this creature we call the modern state is entirely contingent.  The evolution of The State is not governed by any law of scale or population density or social complexity.  Ancient forms of power have not been secretly leading up to a single 'natural' type of political organization that we know as the modern nation state.  Instead of searching for origins, G&W set out on something of a survey of past large political organizations.  What they find is that different people have constructed different regimes of power at different times.  Their discussion of a whole heap of different examples is the most interesting part of this chapter.  

But, not content, to leave us with the impression that history is just one damn thing after another, G&W do organize these examples into a simple framework.  They argue that there are three possible ways to control people and create a hierarchy of political power: 1) Control of violence 2) Control of information 3) Personal charisma.  And these three principles of social control lead to three possible types of political control: 1) Sovereignty 2) Bureaucracy 3) Charismatic Politics.  When they first introduced this abstract framework it didn't seem terribly compelling to me.  While it seems pretty obvious how you can control people with the fact or threat of violence, how you do so with information or 'charisma' is less obvious.  Then too, why are there only these three principle of domination?  Can't you also control people by effectively brainwashing them?  Or by isolating them and pitting them against one another (separating from what they 'can do' as Deleuze puts it)?  Are these possibilities somehow subsumed in the other three?  It seemed like a somewhat arbitrary framework.  But it begins to make more sense when you see how they apply it to historical examples of large scale political organizations.  In the course of reading these applications of the framework, it slowly occurred to me that G&W had perhaps skipped a step in its exposition.  Underlying all three of these forms of control is a single principle they don't explicitly mention.  The key to controlling someone is in make sure that something they value depends on you, as opposed to being something within their own individual or collective power to realize.  As 'master', you don't necessarily get to control what it is that people value (though we can imagine feedback loops here where control of a valued object eventually leads control of what object has value).  But to be in charge, you have to control people's ongoing access to whatever it is that they do value.  Violence seems like an obvious way to control people only because we consider it obvious that everyone fears death values their own life.  Relax that assumption and, as in so many Zen stories, violence ceases to have any power.  How can a ruler achieve anything by killing us all?  In this same context, control of information begins to make more sense as a principle of power.  If you value money, or certain ritual goods, or a priest's absolution, then someone who can permit or deny these things to you is in a position of power over you, despite the fact that they may never threaten you with physical harm.  They have set themselves up as a power that administers the valued thing, typically according to a byzantine set of bureaucratic rules.  And finally, if you are really really impressed with people who play football well, or are great liars and baby kissers, or have armadillos in their trousers, then you might let do all kinds of things for them that you wouldn't do for anyone else.  Thus 'charisma' can also be a source of power over others because the charismatic performer controls access to some affect that you value.  Seen in light of this question of values, perhaps the framework begins to look less arbitrary.  We value our lives, or some quality we ourselves can possess, or some quality we admire in another, but can't have for ourselves.  Do these options cover all the bases?  

As I say, the framework made more sense to me as I saw them apply it to specific examples.  Their concept is to classify historical 'states' as operating according to one or more of their three principles of control.  So they begin with examples of 'first-order' regimes each dominated by just one of the principles.  1) Charisma -- The Olmec, they claim, built a sort of 'charisma empire' based on the idea that politics was a kind of sport, similar to their famous ball games, in which the important thing was to beat the other team.  People let themselves be 'ruled' by the victors, at least insofar as they contributed the labor required to carve all those stone heads.  But these rulers created no administrative apparatus, nor did a single one of them come to dominate and impose themselves as the only legitimate source of violence.  2) Information -- By contrast, they interpret the images found at Chavín de Huántar as mnemonic devices for recording psychedelic induced shamanic journeys.  Since these images are found across a large region but are concentrated at Chavin, they interpret the whole civilization as an 'empire of images' that controlled the flow of valuable esoteric information.  Like the Olmec though, they didn't develop either of the other principles of control.  That is, they didn't legitimate their power either through a competitive politics or the threat of violence violence.  The idea is that we're looking at a power structure similar to a formal religion like Catholicism.  There's no open competition to be Pope.  And (these days) the Pope and his heavies don't turn up threatening to break your thumbs if you're late for mass again.  Nevertheless, the Pope exerts a powerful control over millions by heading up a spiritual bureaucracy that controls access to something folks think is valuable (god in this case).  3) Violence -- Finally, they discuss the Great Sun of the Natchez people as an example of a system of pure sovereignty where the ruler is a force completely above the law and thus capable of dispensing arbitrary violence at any moment.  Without an administration, however, it turns out that the power of such sovereigns is rather limited and doesn't extend much beyond their immediate surroundings.  In other words, if the Great Sun personally demands your death, there's not much you can do about it; within the immediate 'family' of the royal court there are no limits on his power.  But since you don't have to listen to any delegates of the Great Sun's power, as long as you avoid him you can pretty much do as you please.  The king is divine, but by the same token somewhat removed from the world. 

Naturally, their next step is to consider 'second-order' regimes that combine two of the three principles.  This results in a pretty fascinating discussion of two places that folks have long considered 'the original state' -- Egypt and Mesopotamia.  I won't go deeply into the details here because the point is relatively simple.  Egypt managed to combine the principle of sovereignty -- the divine status of the pharaoh and the way all his family and court need to be sacrificed at his death -- with a giant administrative religion that mandated ongoing provision of beer and bread to care for him in his mummified afterlife.  But there was never any formal political competition outside of the 'dark ages' between dynasties.  Mesopotamia, on the other hand, started off as a purely peaceful administrative 'state' with its temples operating like factories that produce ritual goods (as we saw with Uruk in chapter 8).  Only later did it acquire a heroic politics where various figures like Hammurabi and Gilgamesh vied to create a dynasty.  But as the example of Hammurabi indicates, even the violence of these kings was not arbitrary and without law as with a true divine sovereign, but precisely codified, that is, administered bureaucratically.  

Their overarching point in exploring all this history is to observe that the way the modern 'democratic' nation state combines all three of these principles is entirely an accident of history.  Many other regimes of power have operated over long spans of time without using this precise combination.  However, it does seem to me that their framework suggests there is something uniquely 'totalizing' (or perhaps 'totalitarian')  about the modern state.  After all, if they really believe there are only three principles of domination, then there is at least something special, if perhaps not inevitable, about a regime of power that combines all of them. 

P.S. In another of their many digressions, and with pretty much total disregard for their framework, G&W ask if regimes of power organized by women are any different.  Here they briefly discuss Minoan Crete, apparently run by women, which produced a unique visual style.  

11 -- Full Circle

As the title implies, this chapter returns us to the indigenous critique of European society that they discussed in chapter 2.  Before, they traced the intellectual history of the impact of American ideas of political freedom on the Enlightenment.  Here, they try to trace the actual political and social history of the Eastern half of the continent that led native Americans to hold those ideas at the time white people happened to show up and start raining doom down on them.  It's an interesting story that comes in three main parts: the "Hopewell interaction sphere", the rise and fall of Cahokia, and the history of the Iroquois Confederacy.  Since the details in these final chapters tends towards the overwhelming, I'll just summarize the parts that support the main conclusion they want to draw -- the unfreedom that dominated Europe at the time of colonization was not historically inevitable; but neither was the lifestyle personified by Kandiaronk; in fact, the political organization of society is neither predestined nor random; it is a product of human choice.

Their political history of Eastern America begins with what little is known about the Hopewell culture.  Though it's named after a town near Columbus, OH, Hopewell is a blanket term for an entire 'culture area' or 'interaction sphere' or just 'civilization' (if there's any difference between these terms I'm not sure what it is) that stretched across much of the Mississippi river and its major tributaries about 1,800 years ago.  It's even possible that Hopewell represented a 'first-order' Informational/Bureaucratic state like we saw in Chavín, but since its was a much less centralized system they choose to punt on this particular point rather than insist on their classification scheme.  What held Hopewell together was a clan system that governed travel and inter-marriage between different tribes, as well as a propensity to build huge earthen mounds with precise geometries related to astronomical observations.  Their point with this story is to suggest that at this stage, a large chunk of the continent was organized into a a system that effectively allowed people a great deal of freedom of movement.  As a result, if they didn't like political conditions where they were, they could pull a geographic, so to speak.  

Later (1050-1300AD), roughly the same set of river valleys came to be dominated by the city of Cahokia.  This was more like a proper state or 'Mississippian' empire, centered on an urban capitol, and employing at least two and perhaps all three of the principles of domination.  Like all good empires, the founding of Cahokia was bathed in ritual blood.  And so, apparently, was its end -- the city fell apart so violently that for centuries afterwards no one even wanted to live in the area, despite the fact that its some of the most fertile soil on the planet.  So in G&W's reading, Cahokia becomes a cautionary tale about what happens when the elites try to monopolize power and deny people the ability to move around or change their political organization.  

Finally, they conjecture that the principles that governed the Iroquois Confederacy, as well as their own creation myth explaining how these principles came about, show us a sort of ongoing reaction to the political problem that Cahokia represents.  As Clastres would have put it, the Iroquois were "warding off the state".  Cahokia served as the, by then, legendary representation of the abuse of power, and having this history to refer to enabled them to see when their own social arrangements began to tilt in this direction and to take appropriate counter-measures.  As a result, when the Europeans showed up, the Iroquois has already spent centuries recognizing political unfreedom and thinking about how to preserve their freedom; the indigenous critique of the Europeans we discussed at the start of the book was thus not the product of social evolution's children, but they product of a long period of self-critique.  

12 -- Conclusion

Where has this long journey left us?  Their biggest thesis, at least, is a clear and convincing result of the wealth of examples they've covered -- human society has not evolved in an evolutionary straight line that leads inevitably to precisely where we find ourselves today; people have been self-consciously experimenting with and moving between different political systems for as long as there have been humans.  A first corollary of this lack of teleology is a lack of origins, which now appear as myths about the inevitability of the present which are projected into the past.  This doesn't mean that humans have invented nothing; on the contrary, acknowledging that history is contingent returns all political structures to us as quintessentially human inventions, rather than the inevitable products of some law of scale or innate psychology.  Which leads us to a second corollary -- things can change.  Naturally, this is their take home message.  Hard as it is to imagine today, our political structure is not set in stone.  The peculiar combination of violence, bureaucracy, and charismatic leaders that constitutes the modern nation state will not last forever.  Hence the title of the book, which doesn't refer to historical origins, but suggests that we are still and always "in illo tempore", that mythical age when anything can happen.

However, they also use the concluding chapter to summarize other ideas which are both less clear and less convincing.  For example, they say that we've learned that, "the zone of ritual play has also acted as a site of social experimentation -- even, in some ways, as an encyclopedia of social possibilities".  It's not clear exactly what this means though.  Are they referring to the evolution of kingship in Egypt that they discussed?  Or the way farming may have started more as a ritual of communal labor dedicated to the gods rather than specifically as a source of food?  Then too, have they convincingly demonstrated either of those things, or really just sort of suggested that maybe new possible social organizations arise first in these ritual context before somehow getting taken 'seriously'?  A nod toward some commonalities in a few examples doesn't really constitute a theory.

Or, to take another example, they promised to tell us why we "got stuck".  Yet they've totally failed to do this.  Every state or empire they've discussed has long since come unstuck, with the exception of those created in the past 250 years.  So are we even stuck?  And if not, why does it seem so?  They haven't really even discussed this.  Here in the conclusion they throw out a few ideas.  Maybe it was the invention of war that caused us to lose some of our freedoms?  Maybe, but since they've given almost no history or war at all, how could we say?  Maybe it was a shift towards patriarchy, and the way the sovereign's domination of citizens parallels the father's domination of the household?  In this context, they tell an interesting story about the differences  between Wendat public torture and French public torture at the time of colonization.  The moral of the story is that the Wendat believed violence should only be exercised on people outside the community, and was never a legitimate way to express care for those in the community.  As anyone who has been spanked by dad or arrested by cops can attest, we Westerns find it entirely plausible that violence can be applied inside a community, as a sort of 'tough love' means of caring for people.  This, "confusion between care and domination," is an interesting observation, but it seems to have little relation to the text they've given us.  We don't really know when the patriarchy arose, or why people started having sovereigns to begin with.  All we have are some intriguing suggestions that neolithic women were respected for their 'playful' experimental gardening, and that in Minoan ladies seemed to run the show without much violence.  

Overall then, the book has been more successful at raising questions than answering them.  Hopefully others will follow more carefully in their footsteps.